Back
when Lena Dunham's HBO series was a hot commodity, an acquisitions editor at
Random House thought that WRECK AND ORDER would resonate with all those young
women who never missed an episode. A twenty-something female exploring her
sexuality, in an endless pursuit of the perfect orgasm? The makings of a
blockbuster, right?
The
television programme died a slow death while WRECK AND ORDER worked its way
through the publishing process. Sadly, it has arrived when readers no longer
wish to inhabit the world of a complete wagon.
Elsie,
the protagonist, is a narcissist who is obsessed with sex. She should be a
sympathetic character, what with a backstory of familial dysfunction and a
history of abusive relationships. And she's a lost lamb, funded by her father's
generous checks so that she does not have to actually work and support herself
like an adult. Should a reader not feel sympathy for a character trapped in
perpetual childhood?
She
goes off to find herself and ends up wallowing in self-pity, too busy studying
her own navel to notice that she's lodged her head firmly up her arse. She
treats those around her with selfish disregard, and if you manage to stick
around to read through to the end of this plate of shite and onions, you'll
find that her experience among the downtrodden does nothing to improve her
because that's what all the other ordinary novels do and this is literary
fiction.
Don't
waste your time on this one. The author can write, but there's more to creating
a novel than an ability to string words together into coherent sentences.
Thanks
to Penguin Random House for providing the review copy.
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